Strange how they can give one pause, no matter how one tries to dismiss them...
Poetry on the fly... no editing, just typing:
~~~~~~~~~~~~~~
birthday
random text greetings from friends
who I often give up on
(I'm not even in their top 100
on MySpace...)
a card from co-workers
an old friend sends a real written letter
the chimes on the church across the river
play a sort-of-off-key version
of Ode to Joy (or maybe the harmony drowned
the melody's message?),
and I wonder if, maybe,
it's a completely different tune
familiar enough to make me grind my teeth
full moon surprises
while trying not to look inward
trying not to slip into a cliche
sadness
~~~~~~~~~~~~~~
Tuesday, October 14, 2008
Tuesday, June 24, 2008
Monday, April 28, 2008
Sensual poem

A little sensual poetry for a Monday. How to be erotic without being blatant...
~~~~~~~~~~~~~~
stir
Up to my hips in metallic gem-light
seeing dark eyes feast
silver streaks
was that your heart going by?
Up to my ache in wordless seasoning
tasting more than
skin-salt and liquid moon foam
was that your soul I savor?
Up to my lust in satin aroma
inhaling much more than
essence of sequined man-tides
is this where ecstasy perfumes?
Up to my sanity in startled “oh!”
uttering more than clichés
melody in key of vowels
is that the secret sung in swallowed “yes?”
Up to my smile in seamless grasp
pulling more of you inside than body
buttered obsession
did you give warmth your name?
19 Feb 2003
Friday, April 25, 2008
A slice of time
Here's another terzanelle. It was written (surprisingly) quickly when I saw a man place a bouquet of white roses on the stoop of an abandoned building. I wrote the poem when I passed by the building a week later and the roses were still there.
~~~~~~~~~~~~~~
Still Life on Stairwell
He placed the roses down with so much care,
their breath became the sunlight, fading green,
which left a tender shadow on the stair,
and gave a final stroke of tourmaline
to soft, forgotten petals, velvet white –
whose breath became as sunlight, faded green.
I pause to mourn – no fragrance reunites
me, in my bitter tea-stained reverie,
with those forgotten petals, velvet white.
I know that future’s roses, meant for me,
won’t keep that heart of green and drip with tears.
I slip back into tea-stained reverie.
He walks away in ashen atmospheres,
the light shrinks from those blossoms, now sad gray
No longer white and green, they drip with tears.
The wilted stems and ribbons swept away,
where once he’d placed those roses with such care
the light shrinks from the blossoms, sad and gray,
and leaves no trace of shadow on the stair.
14 Mar 2004
~~~~~~~~~~~~~~
Still Life on Stairwell
He placed the roses down with so much care,
their breath became the sunlight, fading green,
which left a tender shadow on the stair,
and gave a final stroke of tourmaline
to soft, forgotten petals, velvet white –
whose breath became as sunlight, faded green.
I pause to mourn – no fragrance reunites
me, in my bitter tea-stained reverie,
with those forgotten petals, velvet white.
I know that future’s roses, meant for me,
won’t keep that heart of green and drip with tears.
I slip back into tea-stained reverie.
He walks away in ashen atmospheres,
the light shrinks from those blossoms, now sad gray
No longer white and green, they drip with tears.
The wilted stems and ribbons swept away,
where once he’d placed those roses with such care
the light shrinks from the blossoms, sad and gray,
and leaves no trace of shadow on the stair.
14 Mar 2004
Thursday, April 24, 2008
Meanings
When I was given the word "still" as a title to write with, I immediately came up with three different definitions in my mind. The first thing that came to mind was the adjective that suggests lack of movement. The second thing I thought of was the adverb suggesting always...continuous-ness. And the third was the noun that suggested a vessel in which liquor is distilled.
So here is what sprang from my fevered brain.
~~~~~~~~~~~~~~
still
I.
holding onto
the breath I should have
used
to tell you
your words
paint upon my monotonous sky
a crescent moon
spilling
fog onto skyline’s jut
but I wait
exhaling so softly
water doesn’t
know
II.
in case you missed the way
my hair
insinuated itself
and don’t recall the taste of rosemary
I’ll untie me
from your cerebellum
reminders are
forthcoming
here
I
am
III.
nothing to do
but condense comfortable conversation
heat
pull the moist
leaving
essence
25 Jan 2004
So here is what sprang from my fevered brain.
~~~~~~~~~~~~~~
still
I.
holding onto
the breath I should have
used
to tell you
your words
paint upon my monotonous sky
a crescent moon
spilling
fog onto skyline’s jut
but I wait
exhaling so softly
water doesn’t
know
II.
in case you missed the way
my hair
insinuated itself
and don’t recall the taste of rosemary
I’ll untie me
from your cerebellum
reminders are
forthcoming
here
I
am
III.
nothing to do
but condense comfortable conversation
heat
pull the moist
leaving
essence
25 Jan 2004
Wednesday, April 23, 2008
One more sonnet

What the heck... I think Shakespeare's birthday deserves yet another sonnet. (And I'll be almost caught up to my "one poem per day" promise for April.)
~~~~~~~~~~~~~~
Freeze-Dried Sonnet
As if the darkness of your eyes could show
a way for me to trap the voice of pain,
and set in amber life’s imbroglio
for me to hide, so only you remain.
Jars of my desire, well preserved –
formaldehyde-postponed in its allure,
patient in the hope that I’ve reserved
for packing up my soul, in honey-cure.
Repentance never froze a single urge,
but kisses stir emotions long left stored.
From suspended animation will emerge
warmed and soft – adventures unexplored.
A trophy, not of conquest, but of art –
A taxidermist version of my heart.
29 Dec 2002
Another sonnet

Another sonnet for the Bard's birthday.
~~~~~~~~~~~~~~
Shadow Theater
We live, as many do, within that space
where footlights end, and audience begins.
The fear lurks, unrelenting, in that place,
too close to catch the actor’s disciplines.
Tentative in spotlights, under wraps,
I seek the hand of moonlight’s puppeteer.
Stage fright fills imagination’s gaps
where props behind love’s curtains disappear.
Your words betray the secrets sought in silence.
The eyes of all observe your crucial scene.
A soliloquy of gestures in defiance
of direction, daring me to intervene.
Returning, where we comfortably consume
The space between the curtains and the gloom.
25 Jan 2003
Happy Birthday, Will
In honor of Shakespeare's birthday (he's 444 this year... not 544... I mis-typed his age last year), I am posting a sonnet (Shakespearean, of course) I wrote in a fit of mathematical ecstasy.
I will go read Hamlet... or watch the movie. Please celebrate in your own customary way.
~~~~~~~~~~~~~~
The Science of Patterns
The order of the colors, prism bent;
The fractions in a chambered snail’s shell;
Statistics buried, called coincidence;
The chemical recall of asphodel.
So water congregates to build a cloud
and droplets marry heavy, forming rain;
With Spanish moss’s chaos-patterned shroud
To respirations measured fill and drain.
Honeycombs, whose architects are bees;
The icy veins in alabaster’s skin;
The march of leaves up eucalyptus trees;
The oscillating song of violin.
An ocean wave will roll in, uninvolved
In differential equations it has solved.
30 Oct 2003
I will go read Hamlet... or watch the movie. Please celebrate in your own customary way.
~~~~~~~~~~~~~~
The Science of Patterns
The order of the colors, prism bent;
The fractions in a chambered snail’s shell;
Statistics buried, called coincidence;
The chemical recall of asphodel.
So water congregates to build a cloud
and droplets marry heavy, forming rain;
With Spanish moss’s chaos-patterned shroud
To respirations measured fill and drain.
Honeycombs, whose architects are bees;
The icy veins in alabaster’s skin;
The march of leaves up eucalyptus trees;
The oscillating song of violin.
An ocean wave will roll in, uninvolved
In differential equations it has solved.
30 Oct 2003
Tuesday, April 22, 2008
More fun with forms

Electronic signatures produced by collisions of protons and antiprotons in the Tevatron accelerator at Fermilab provided evidence that the elusive subatomic particle known as top quark has been found. (Image courtesy of Lawrence Berkeley National Laboratory)
The terzanelle is yet another form I like to play with. It's similar to the villanelle in that it uses repeated lines, but this one takes the middle line of the stanza and it gets used as the last line of the next stanza, so the rhyme scheme changes each time. And the final line should be the last line of the first stanza.
It's like putting a puzzle together... the hard part is making sure it makes sense. And this one just barely does.
~~~~~~~~~~~~~~
Subatomic Terzanelle
In orbit, strewn with waiting, patient protons,
With you beneath – unaware my anxious hover.
Beaming light, my kisses touched like photons,
And quantum flux in wavelengths of a lover,
Are positively charged in spectrum’s hope.
Beneath my hungry stare and anxious hover,
Add neutrons, and my heart’s your isotope.
Creating radiation, banish dark –
So positively charged in spectrum’s hope –
Infecting every flavor of each quark,
Until they shake in subatomic lust,
And create that radiation – banished dark.
Adding electrons to your nuclear husk
Can ionize your will to spark a fusion.
They’ll vibrate you in subatomic lust
Swirling in subnuclear confusion.
In orbit, strewn with hope and patient protons,
Ionize your will to spark that fusion –
Lightly, as my kisses, touched by photons.
15 May 2003
Because I wanted to use "hieroglyphics" in a poem
Another villanelle. So they're fun to write...
~~~~~~~~~~~~~~
encryption
I found the definition of “beguile”
in places where your blush would hibernate
amongst the hieroglyphics of your smile
It dawns on me, I cannot reconcile
so I repeat until my mind can conjugate
and still see definition in “beguile”
I grasp the implication, pause a while
let meanings there unfold, as I translate
the wondrous hieroglyphics of your smile
So let me take a lifetime to compile
the essays that your eyes communicate
expand my definition of “beguile”
into vocabularies versatile
(hard-pressed for me to ever understate)
and solve the hieroglyphics of your smile
A scholar of the context of your style
and expressions as your eyes deliberate
I find the definition of “beguile”
inside the hieroglyphics of your smile
30 Aug 2004
~~~~~~~~~~~~~~
encryption
I found the definition of “beguile”
in places where your blush would hibernate
amongst the hieroglyphics of your smile
It dawns on me, I cannot reconcile
so I repeat until my mind can conjugate
and still see definition in “beguile”
I grasp the implication, pause a while
let meanings there unfold, as I translate
the wondrous hieroglyphics of your smile
So let me take a lifetime to compile
the essays that your eyes communicate
expand my definition of “beguile”
into vocabularies versatile
(hard-pressed for me to ever understate)
and solve the hieroglyphics of your smile
A scholar of the context of your style
and expressions as your eyes deliberate
I find the definition of “beguile”
inside the hieroglyphics of your smile
30 Aug 2004
Monday, April 21, 2008
Another Monday sonnet

A sonnet for Monday.
I have a theory that writing form poetry is (for me) a sort of exercise. I think sometimes that I write better with structure because the form itself (with its rhythms and rhyme schemes) keeps the left side of my brain occupied so my right brain can actually create. Kinda like giving a child a toy to play with so you can finish up a chore.
But it's just a theory. I could be way off base.
~~~~~~~~~~~~~~
Abstract
Impassioned portrait sketched in words of lust,
Enticing me to reconsider all.
It traces doubt with grey upon my trust
And intimations hide behind the scrawl.
Relinquish every preconceived intent,
And paint my face with violet crystal tears.
I cannot take them back, so I relent,
And let the brushstrokes cover all my fears.
The sharpened edges blur with every hue -
Impressionist emotions, tinged with red.
I dip my fingers lightly into blue
And dare to replicate those things unsaid.
Kandinsky never could imagine these
Colors of my heart’s geometries.
13 Jun 2002
Because sometimes it just is...
I can't think of anything to say about this one except it was easy to write.
~~~~~~~~~~~~~~
tectonics
all the rocks
insistent in their geology
couldn’t be still enough
to buoy my being
when your smile
slips off my shoulders
and tickles in tendrils
eroding with insist
pull the alarm
and sound
for the majesty
of darkened entwine
lifting until scream
pushing until ahhhh
and never letting
silent knowledge of my love
fracture
28 Mar 2004
~~~~~~~~~~~~~~
tectonics
all the rocks
insistent in their geology
couldn’t be still enough
to buoy my being
when your smile
slips off my shoulders
and tickles in tendrils
eroding with insist
pull the alarm
and sound
for the majesty
of darkened entwine
lifting until scream
pushing until ahhhh
and never letting
silent knowledge of my love
fracture
28 Mar 2004
Just because I like the sound of the words
I got the title of this one from an Emily Dickinson poem.
~~~~~~~~~~~~~~
Prodigal of Blue
neon
slithers art deco edges
into greyhound bus familiar
startle
sunsets
from the 12th floor
forgotten with
touch
drop
curl
the purple flowers
were bubbles
in the oxygen of wonder
you heard the aria
before dinner
I was incandescent
marigold
14 Mar 2003
~~~~~~~~~~~~~~
Prodigal of Blue
neon
slithers art deco edges
into greyhound bus familiar
startle
sunsets
from the 12th floor
forgotten with
touch
drop
curl
the purple flowers
were bubbles
in the oxygen of wonder
you heard the aria
before dinner
I was incandescent
marigold
14 Mar 2003
Sunday, April 20, 2008
still more verse
Some more sensual verse. I love it when writing turns out to express things just the way you want. In this case, I wanted to be appropriately subtle and evasive.
~~~~~~~~~~~~~~
elements of nearness
pour yourself
listen
let me spread
savory
and smoother than cello
inhale
your sibilance
and I’ll exhale
favor
after corrugated favor
I have capacity
no one is looking
touch warm
start ruffling the silences
reach into
nestle in
your voice tickling
your eyes
irrelevant
hoping to
I know your touch
write, I say...
don’t think
awaken to my
and inspire the
yes... right there
27 Nov 2003
~~~~~~~~~~~~~~
elements of nearness
pour yourself
into my lovescape
listen
while I intone the vowels
of your secret name
let me spread
my verisimilitudemagenta
to your soul’s scrutiny
savory
and smoother than cello
inhale
your sibilance
and I’ll exhale
favor
after corrugated favor
I have capacity
beyond your shadow’s glintso tap into
isabelline implications
no one is looking
touch warm
start ruffling the silences
that can’t be pulled
from your tongue’s softness
reach into
the crook of my comfort
nestle in
rapturous silver
meant for taste
your voice tickling
deeper than oboe
your eyes
striking ripples
in lost-teen-angst yesterdays
irrelevant
hoping to
laserinto the midnight
of your eye-crinkling smile
I know your touch
at stocking’s edge
write, I say...
just write
don’t think
of my aphorismsonly let me fetch
one more constellation
from icy silence
awaken to my
juniper pleadings
and inspire the
piquant spice-green
knife-edge
courage hidden
there
yes... right there
27 Nov 2003
some fun verse
And a little bilingual scribble for today. I got a title suggestion from a friend who said he was learning to dance.
~~~~~~~~~~~~~~
aprendo a bailar
necesito los zapatos
that can hip
your eyes this direction
whipped mambo
served calientado
frosted in frenzy
bedroom your way to doblado
step back
(two three four)
let el hombre lead
(seis siete ocho)
blue into cushion
mareado
unstiffen
press into
escuche
and before you know it
bailamos
9 Mar 2003
~~~~~~~~~~~~~~
aprendo a bailar
necesito los zapatos
that can hip
your eyes this direction
whipped mambo
served calientado
frosted in frenzy
bedroom your way to doblado
step back
(two three four)
let el hombre lead
(seis siete ocho)
blue into cushion
mareado
unstiffen
press into
escuche
and before you know it
bailamos
9 Mar 2003
Tuesday, April 15, 2008
Monday, April 14, 2008
Another time of year...

A little tribute to November. A bit melancholy for spring, though...
~~~~~~~~~~~~~~
A Colder Season
Watching November ripen
with each thrum thrumming
of river and heart
in sullen, sad-love-song, crystallized ways.
The sky can’t manage
to be cheerfully blue,
and, frankly, stopped trying weeks ago
when October dissolved.
Now with darkness being a mere formality,
you take time to trace out our names
in faded sequins and reconstituted
rhinestones.
When incantations become
merely talking to yourself,
wretchedness accumulates and shoulders
take on permanent shrugs of surrender.
Lastly, you sleep when spoken to.
So they take you somewhere
mint green, without
the benefit of petunias.
7 Nov 2005
Another villanelle
I know I meant to post a poem a day, but with the newest show, my weekends are taken up with getting stuff done. Sorry about that. I will post a couple a day to make up for it.
I love villanelles. Here is one I wrote and played a little loose with the repeated lines. But it's my poem, so I can do that. Besides, it works.
~~~~~~~~~~~~~~
Absorbing Invisibility
I sit in camouflaged desire,
repressing fevered whirlwinds,
becoming shade as you require.
To dim the violent purple fire
dilute until it’s crystalline,
and wait in camouflaged desire.
Add grey to brazen red’s attire;
suppress her strut in softer skins,
in paler shades, as you require.
Hush the lute, and stow the lyre,
dampen strings on violins.
I’ll listen, and conceal desire.
I’ll paint with words that you inspire
disguised in shrouds of discipline
and faded, as your needs require.
Awaiting signals, I retire,
patient in the blues I’ve thinned.
I wait in camouflaged desire
a paler red than you require.
13 Feb 2003
I love villanelles. Here is one I wrote and played a little loose with the repeated lines. But it's my poem, so I can do that. Besides, it works.
~~~~~~~~~~~~~~
Absorbing Invisibility
I sit in camouflaged desire,
repressing fevered whirlwinds,
becoming shade as you require.
To dim the violent purple fire
dilute until it’s crystalline,
and wait in camouflaged desire.
Add grey to brazen red’s attire;
suppress her strut in softer skins,
in paler shades, as you require.
Hush the lute, and stow the lyre,
dampen strings on violins.
I’ll listen, and conceal desire.
I’ll paint with words that you inspire
disguised in shrouds of discipline
and faded, as your needs require.
Awaiting signals, I retire,
patient in the blues I’ve thinned.
I wait in camouflaged desire
a paler red than you require.
13 Feb 2003
Wednesday, April 09, 2008
Another peek into my mind
Here's a really old poem. It's one of the few I still like. Seems like I've always been obsessed with Dylan Thomas.
~~~~~~~~~~~~~~
Unsoundwaves
There are no violins on the moon;
and no nightingales.
The purpose of innocence
remains to be discovered
in the splintered remnants of peanut-butter memories.
So, take my hand while there's still time.
We can't compete with mediocrity.
And, screaming,
the wounded secret provides an anticlimax
for some celestial drama.
And the sandman is waiting under the marquee;
but that isn't my name in lights.
I saw a cloud move like this once,
unnaturally,
like a stream of my thoughts.
I hurry to catch up with you.
You tell me I write nothing like Dylan Thomas.
Unknowingly, you've stuck a grudge
somewhere between my shoulders,
and white things seep into my line of vision.
I wish I had your purpleness back
because you're listening to me now,
and I wish I had more to say.
Well, Dylan Thomas could never write like me.
~~~~~~~~~~~~~~
Unsoundwaves
There are no violins on the moon;
and no nightingales.
The purpose of innocence
remains to be discovered
in the splintered remnants of peanut-butter memories.
So, take my hand while there's still time.
We can't compete with mediocrity.
And, screaming,
the wounded secret provides an anticlimax
for some celestial drama.
And the sandman is waiting under the marquee;
but that isn't my name in lights.
I saw a cloud move like this once,
unnaturally,
like a stream of my thoughts.
I hurry to catch up with you.
You tell me I write nothing like Dylan Thomas.
Unknowingly, you've stuck a grudge
somewhere between my shoulders,
and white things seep into my line of vision.
I wish I had your purpleness back
because you're listening to me now,
and I wish I had more to say.
Well, Dylan Thomas could never write like me.
Tuesday, April 08, 2008
Rambling
Some verse written in a sitting-in-a-sunny-window-inspired ramble. I love to interrupt my stream-of-consciousness occasionally, usually with another stream.
~~~~~~~~~~~~~~
The Book I’m Going to Recommend
was on the free book shelf
at the coffee shop by the river
I recognize the author
from, of all things, the television
I open the nearly-torn cover and out drops
a photograph of white-shirted man
with skinny tie
and his head resting on the jawbone
of some poor dead jackass
the photo was labeled “Live Faust Die Jung”
and the back was signed,
“Sorry for the lateness in getting this CD to you.
Things have been a bit twisted.”
A page was marked with a ticket to the
Grand Prix of Monterey
for June 7, 2002.
I’ve stopped halfway through the book
ending each chapter with what I’d imagine you’d rant
if I could only tell you
13 Jan 2006
~~~~~~~~~~~~~~
The Book I’m Going to Recommend
was on the free book shelf
at the coffee shop by the river
would you order a soda… or just water?
and the maroons and daisies of this day might become softly muted
I recognize the author
from, of all things, the television
would you recognize him as well?
how could this lapse in my rose-colored protocol conquer your smile?
I open the nearly-torn cover and out drops
a photograph of white-shirted man
with skinny tie
and his head resting on the jawbone
of some poor dead jackass
I imagine you’d strike that pose…and
even the chrysanthemums growing on my stony side would wilt in breathlessness
the photo was labeled “Live Faust Die Jung”
you’d see the fun in this
and it would plunge me back into the fragrances of “what if”
and the back was signed,
“Sorry for the lateness in getting this CD to you.
Things have been a bit twisted.”
“What CD was it?” you would wonder, as if on cue,
and I take the violet-shaded way around this time
A page was marked with a ticket to the
Grand Prix of Monterey
for June 7, 2002.
how often would we really look at the world in cellophane hues?
and would you have had time to read this before the race started?
I’ve stopped halfway through the book
ending each chapter with what I’d imagine you’d rant
if I could only tell you
and you’d look at me with that flash of hush
and I don’t
because you already know
13 Jan 2006
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